Food That Pleases

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Majestic Diner, Atlanta GA

You don’t come to this joint, or others like it, for the haute cuisine.

You might though if you’re hungry, famished even, need coffee (and lots of it), chat with a friend, or just hang out at any time of the day or night. And you can see your meal cooking on the grill in the kitchen before you get it.

The art deco neon signage in the top picture proclaims the simple pleasure of food.

The diner is described in utilitarian fashion on the internet thus: “Landmark diner serving classics including blue-plate specials & grits 24/7 since 1929”.

Heritage, check.

All day, every day, check.

Grits, check.

And not just any grits. Buttered grits. That come with your eggs.

Cheese, too, in your “de luxe burger”. All kinds, as long as its American or Swiss, and you don’t mind that the Swiss sort is probably American too. If you’re eating the burger, you don’t mind, because you’re probably starving or just not that fussy.

It’s all splendidly functional, yet the old school diner revels in its own American history and mythology, as told in film, story and song. Tom Waits’s ‘Nighthawks At The Diner’ album and Suzanne Vega’s ‘Tom’s Diner’ are memorable examples of the latter.

Everyone needs to eat, and diners are non-denominational temples to food where the sacraments are served to the faithful, good, quick and hot.

Egalitarian, in that the rich and poor, the loved and the lonely, and those of every stripe in between, get the same service and can all chow down or sip coffee in proximity to each other, without anyone really giving a flying f**k about who you are or why you are there.

Food, and a vibe, that pleases…

 

 

 

Real Good, For Free

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“He was playing real good, for free”

     – Joni Mitchell, ‘For Free’.

The busker in the Joni song played the clarinet, and the songwriter expressed her admiration of the player’s skills.

Not just that he played for free, or maybe a few coins thrown into a hat – but that he was truly free to express himself, and not trapped by the machinery of the music business that she was in.

The guy in the photo, playing a community piano in Atlanta a couple of years ago when I was there, was like that. Melodies played for himself, mainly.

I’d seen someone else doing the same thing earlier that day – see Butterfly Piano Man. Never come across the concept of the community piano before, and adored it!

Both gentlemen gave me random, life-affirming moments as they played – real good, for free.

 

Butterfly Piano Man

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I visited the High Musuem of Art in Atlanta in 2017 while on vacation.The museum is full of stunning  art but this gentleman at the community piano outside  gave me my lasting  memory of the place. Playing skillfully, only for himself and before he was due to work , the simple,elegant  folk/classical melodies  drew me in .I listened for a while and chatted briefly with the guy,thanking him for sharing his talent.I love the idea of the community piano that anyone can come and play on(saw another  in Atlanta and then one back home in NZ) – music and art should be egalitarian and accessible but so often get commodified or placed on a pedestal,and then their essence is often diluted or lost altogther.That moment is an inpiration to this blog – I do it for myself first and foremost ,but am happy if my melodies are overheard and appreciated….