I had just been listening to jazz saxophonist Wayne Shorter’s adventurous 1966 album “The All Seeing Eye”, when I saw ( and saw through to the building behind) the pictured glass sculpture in downtown Auckland.The sculpture zooms in to the world beyond – an all seeing eye.
Strange when two very different art forms conflate in one’s mind!
I’m a massive music fan, and have been on a recent trawl though my Go-Betweens collection.The Aussie indie group titled a late live album ‘That Striped Sunlight Sound’. I was in an Auckland park in the early morning this week and the sun streamed though the trees, including the nikau palm pictured. It immediately reminded me of the album title, connecting the visual with the songs in my head. This post is in homage to the band I love.
This post is inspired by the title of the latest album by Finnish jazz trumpeter Verneri Pohjola,‘The Dead Don’t Dream’.
I have come across Pohjola’s amazing modern music quite recently and have been mightily impressed by what I have heard.
The musician was talking about the making of the album (dreaming it into existence as he termed it) and remarked that “it’s about embracing life in all of its complex emotions, while we still have it … after all, the dead don’t dream”.
He nailed it for me with that statement.
To live is to truly engage, and to dream. You may as well be dead otherwise.
You can listen to the tune behind the thoughts below (via YouTube):
Two small things collided during the week in way that made perfect sense to me:
A lunchtime walk down to Auckland’s city wharves, where the old wrought iron fence sports carved faces of Neptune/Poseidon in a vivid red.
And a major overhaul of my digital music collection that unearthed this psychedelic/jangle gem from cult band Elf Power (an early track of theirs that lends this post its title).YouTube share below.
Peter Green, an original member of Fleetwood Mac and legendary blues/rock guitarist, passed away yesterday.
He was an understated stylist possessed of one of the purest, most emotive guitar timbres in the business ,even if he led a life at times troubled by mental illness.
B.B King said of his playing, “he has the sweetest tone I ever heard. He was the only one who gave me the cold sweats.”
YouTube link to one of his best loved tracks, appropriate in remembrance, ‘In TheSkies’ is below:
Peak autumn on the Tamaki River at low tide; the clear blue sky is reflected in the water lying atop the mudflats at low tide. Plenty of time right now for me to likewise do a bit of reflection in the suspended state that is lockdown, whilst out walking.
The perfect mini soundtrack to this all comes from American new age/neo-classical pianist George Winston:
First light on the Tamaki River yesterday – another day, another beginning, another version…
And a previous blog version is to be found here: New Day Rising .Last time around I shone the light, so to speak, on the album cover of Husker Du’s ‘New Day Rising’. This time you can check out the title track below.
Unlike the serenity of the photo, this is one of the most ferocious slices of rock and roll ever committed to tape, so you stand warned.
But I am happy to start the day either way, really…