Deconscecrated Church, Glenfield NZ.
The simplicity of the circled cross, a stark symbol against the deep blue sky.
The symmetry of the angled white timber work under the eaves.
Two gleaming halves, mirror images.
They drew me in, these minor miracles, when I visited the building yesterday.
The former church has lost its sacred status to fulfill other uses today, but its uncomplicated appearance still has a striking purity about it…
The view up to a stunning vaulted ceiling in England’s York Minster.
Justifiably lauded for its architecture, it was the complex symmetry of it all that left me dazzled.
Like this segmented design ,radiating out from the centre of the ceiling like a star, or a flower, then falling down smoothly to enfold the equally beautiful arched windows.
I am a bit of a sucker for symmetry, as some pictures elsewhere on this blog will attest.
As a religious house it is well nigh perfect.
But, there was the nagging thought in my mind that it was a grand, and failed, attempt – it was made by imperfect humans after all ! – to capture a universal spirituality that is at times:
Today’s mystery pic is a view upwards in a chamber in the Scottish National Gallery.
Eight segments in the skylight; eight Grecian-inspired plinths .
Symmetry of numbers.
It always gets me, to show that there is some sense of order in our crazy, supposedly random world.
(The title to this blog is an unashamed pilfering of the name of a 1966 song by psychedelic rock mavens Love, “Seven & Seven Is”. I love Love!)